Amanda Anne Platt & The Honeycutters: Media Love

Americana Music Show, Tony Ives

Platt can find a tune and express it exquisitely with a distinctive voice and a sympathetic band… Her wonderful lyrics seem to be an assessment of the people and circumstances that surround her to find the good bits.

Flying Shoes Review (UK), Maurice Hope

Platt opens with the reflective ‘Birthday Song’, warmed in among other things, tasty piano the album is immediately up and running on greased wheels. Blending country with folk and country pop you have Americana music with a capital ‘A’ and it is good!

Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour)

Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking.

The Morton Report, Jeff Burger

Platt sings like she means it on this country-tinged folk album, and whether or not her nuanced lyrics are drawn directly from real life, they sure sound as if they are… Platt’s vocals convey joy and tenderness and her band provide amiable backup. At its best, this music is on a par with Lucinda Williams’s, which is saying a lot.

No Depression, Amos Perrine

There is, as with the two before, an easygoing warmth to the album, and a certain kind of knowing. The kind from that comes from being a keen and empathetic observer. From the upbeat ‘Diamond in the Rough’ to the poetic ‘Eden’ to the solemn ‘Long Ride,’ Platt and her band flesh out all that’s real and been missing in country music for lo these many years.

Listening Through The Lens, Rob Dickens

[A] gem of an album… The collection combines sharp and emotive songwriting with crisp production values. A successful blend of country roots and honky-tonk, but with a defining Appalachian twist. Above it all hovers Platt’s voice – laconic, sultry, pitch perfect and ultimately charming.