Arden, North Carolina (February 12, 2021) — For as long as people have written songs, they’ve written songs that respond to and reflect on events in the world around them. And so, when Organic Records’ Anya Hinkle and her neighbor, Graham Sharp (Steep Canyon Rangers) got together to write on the day that news broke of the death of George Floyd at the hands of police officers, it was almost inevitable that what would emerge was a meditation on the gulf between American aspirations and American reality.
“In fraught moments, you usually write what you need to write, to process what’s going and find the words to move forward,” says Sharp. “This was the case with ‘What’s It Gonna Take.’ My first instinct as we were writing was to look inside myself and what I could do. It was a very raw moment to see the pain of George Floyd and the Black community and know that I needed to account for myself in that moment.”
“Writing was the only way to really open up to things we often keep locked inside, things that aren’t pretty to examine, that are scary in fact,” Hinkle adds. “It helped us get honest about that, to push through some kind of strange fear of admitting how clearly some of us benefit from the system and others just lose over and over again. I don’t think the song does anything except to invite people to take a look at this sparkling mess and admit it’s there and needs to be reckoned with.”
As events continued to unfold, the pair worked to complete the song, and when it was finished, Hinkle began to think about how to record it. With Sharp’s participation an obvious ingredient, she reached out to a couple of other western North Carolinians and invited them in. “When we went into the studio to cut the single,” she recounts, “we asked a master of the sacred steel guitar, DaShawn Hickman, and gospel singer Wendy Hickman to join us in asking ‘what’s it gonna take?’ Bringing in their voices was an important part of processing the difficult summer, building trust and beauty through song. Only by listening to Black voices are we going to know what it’s gonna take.”
With producer Jon Weisberger rounding out the ensemble on bass, the recording came together quickly. From a hushed, somber opening that features Hickman’s steel and Sharp’s banjo, the singer’s voice quietly emerges, with Wendy Hickmandelicately creating a spare vocal counterpoint to a contemplative, almost anguished set of observations and questions that swell into the song’s aching chorus. A searing steel guitar solo defines the performance’s emotional peak before subsiding into a final chorus that, just as in the larger world, leaves the listener with the challenge to answer the title’s question.
“One of the great things about a song is how, once it’s finished, it keeps growing and kinda finds its own meaning out there in the world, adapting and adding layers to itself,” says Sharp. “Hopefully, ‘What’s It Gonna Take’ has grown to fit the times and can be a positive voice for the peaceful reckoning our country needs so desperately.”
“We have to remember everyone was not brought up the same,” adds Wendy Hickman. “I will forever be grateful to my parents for always teaching me I am no different, and if I let my light shine, I will attract those that are interested in me, the person, not just the ‘black girl.’ And it has come to this future that I, a dark-skinned African American woman, am embracing a culture of bluegrass and folk music. Who would have thought!? Me! I did, because it’s okay to understand a different culture when you embrace it with a pure, open heart! Music brings that out of you and the message in this song just tells me ‘come together, why be separate?’ My blood is red just like yours, therefore you are my brother and my sister.”
“We are all asking ‘what’s it gonna take?’” concludes Hinkle. “How can we create real and lasting change to the dynamics that rob us, as a nation, of the American dream? Can we listen and learn, make a commitment to trying to get it right?”
Listen to “What’s It Gonna Take” HERE.
About Anya Hinkle
With vivid storytelling, vibrant musicianship and arresting honesty, Anya Hinkle explores the beauty of song craft through the lens of the Appalachian string band tradition. Originally from the mountains of Virginia, Anya’s music is steeped in the tones of folk and bluegrass and seasoned by travels across the world. A founding member of Asheville-based bands Dehlia Low (Rebel Records) and Tellico (Organic Records), Anya will release tracks from her first full-length album under her own name this year on Organic Records.
Hinkle won the MerleFest Chris Austin Songwriting Competition in 2019 and was a finalist in the Hazel Dickens Song Contest for her song “Ballad of Zona Abston,” featured on Tellico’s 2018 release Woven Waters. The album, produced by Irish guitar legend John Doyle (Transatlantic Sessions, Joan Baez, Tim O’Brien), had a #1 single, #1 band and #2 album ranking on the Folk DJ charts in November 2018.